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1967³â ¼¿ï¿¡¼ ž ¼¿ï¿¹¼ú´ëÇÐ ¹®¿¹Ã¢ÀÛ°ú¸¦ Á¹¾÷Çß´Ù. 1996³â <¼¿ï½Å¹®>À¸·Î µî´ÜÇßÀ¸¸ç, ¼Ò¼³Áý <·çºóÀÇ ¼úÀÜ> <¿·Áý ¿©ÀÚ> <Ǫ¸¥¼ö¿°ÀÇ Ã¹¹øÂ° ¾Æ³»> <¿þÇϽº> <¿©¸§ÀÇ ¸À>, ÀåÆí¼Ò¼³ <½Ä»çÀÇ Áñ°Å¿ò> <»ñ»Ç·Î ¿©Àμ÷> <³» ¿µÈÀÇ ÁÖÀΰø> <A>, °æÀåÆí¼Ò¼³ <Å©¸®½º¸¶½ºÄ³·²>, »ê¹®Áý <¿Ð¿Ð> <¾ÆÁ÷ ¼³·¹´Â ÀÏÀº ¸¹´Ù> µîÀÌ ÀÖ´Ù. µ¿Àι®Çлó, Çѱ¹ÀϺ¸¹®Çлó, À̼ö¹®Çлó, ¿À¿µ¼ö¹®Çлó, Çö´ë¹®Çлó, Ȳ¼ø¿ø¹®Çлó ¼ö»ó. Ha Seong-Nan is a writer who presents a new trend in contemporary Korean novels. With elaborate and well-controlled sentences, she splendidly portrays the quotidian city lives and loneliness of modern people. Since making her debut, Ha Song-Nan has gained the attention of the literary community for her precise and hard-boiled descriptions of the routine of urban living, which go beyond the context of traditional narrative. Her way of observing and recording the micro world have earned her a reputation as a writer with original linguistic sensibilities among the young writers who launched their careers in the late 1990s. Ha won the 30th Dong-in Literature Prize.
